Restoring the reputation of Roussillon

12 April 2021 by in Classic Wine Library, Wine and spirits

The coastal region of Roussillon, in France’s southernmost corner, has long languished in the shadow of its better-known neighbour, the Languedoc. But a new book, The wines of Roussillon, by Rosemary George MW, argues that after decades in the wine wilderness the region can now display to the world an impressive range of fine table wines and Vins Doux Naturels.

Roussillon’s reputation was founded on the popularity of its Vins Doux Naturels. During the seventeenth and eighteenth centuries these wines, particularly those of Rivesaltes, were celebrated by aristocracy, gastronomes and writers such as Voltaire, but since the 1980s their popularity has declined. The region became a victim of its own success and its wine­makers quickly had to learn how to make and sell table wines, or vins secs as they are known here. Before the 1980s, vins secs formed a very small part of Roussillon’s wine production. Its wine­makers are still honing their vin sec craft and the wines are relatively unknown – the oldest appellation, Collioure, is only 50 years old. The challenge faced by the region’s wine growers is therefore to restore the Vins Doux Naturels to their rightful place among the great fortified wines of the world whilst also creating a market for their table wines.

George describes the Vins Doux Naturels as “truly wonderful original wines” and would like to see the market for them grow. The problem seems to be one of perception, with even the region’s producers not knowing what to make of them – George tells us they serve whisky and pastis rather than Rivesaltes at their cooperative meetings. As for the reputation of the region, George finds it difficult to comprehend why, with wines of equal quality, Roussillon does not have the cachet of its Catalan cousin Priorat: “Like those of Roussillon, the fortified wines of Tarragona had a reputation, which has been superseded by the neighbouring table wines of Priorat. Why has Roussillon so far been unable to make a similar shift in reputation?”

Luckily, the region is home to some committed and innovative producers. As with many regions world wide, climate change has made viticulture difficult. Roussillon suffers particularly from drought, but the region’s growers have developed original ways of handling this, from seeking alternative, cooler sites or planting in more moisture-retentive soils (the region is blessed with a huge range of soil types) to installing solar panels to shield the vineyard and reduce evaporation. The wind-dried climate makes the region favourable for organic growing and non-conventional viticulture is increasing in popularity here – a quarter of the region’s vineyards are now farmed organically. George allows the growers themselves to provide most of the explanation of the region’s challenges and opportunities. Through them, and in George’s descriptions of their wines, we can see there is great potential in Roussillon if only it could become better known. This book takes a big step towards raising the region’s profile.

About the author
Rosemary George MW was one of the first women to become a Master of Wine (in 1979). The author of thirteen books, she has been a freelance wine writer since 1981. Her very first book, Chablis and the Wines of the Yonne, published in 1984, won both the André Simon and the Glenfiddich awards. For The Classic Wine Library she has written The wines of Chablis and the Grand Auxerrois, Wines of the Languedoc and The wines of Faugères. She contributes to various magazines, such as Decanter and Sommelier India and is the current President of the Circle of Wine Writers.


The wines of Roussillon is published by Infinite Ideas on 19 April 2021.
ISBN: 9781908984944, pb, rrp £30, 234 x 156mm, 294pp.
Also available as an eBook.
Review copies available from marketing@infideas.com; 07802 443957

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The best wine books for discerning wine lovers

19 February 2021 by in Classic Wine Library

Last month the 28th title in The Classic Wine Library, Wines of the Rhone, was published. Each new title increases the series’ reach and opens up another region for wine-loving readers. This year we will be bringing you more titles that aim to expand your knowledge across continents, including The wines of California and The wines of Australia as well as a new book on the sparkling wines of the world, called Fizz!, and more coverage of France with The wines of Roussillon.

The Guardian found our growing series ‘impressive’; so what is it that makes The Classic Wine Library so special?

Jessica Dupuy hard at work on The wines of Southwest U.S.A.

To start with, each book provides the most up-to-date information on its given country or region. Authors go out of their way to taste the most recent wines from the place in question and bring you information on new producers, the best wines of the moment and what’s happening in the region now. Some, like Jessica Dupuy (The wines of Southwest U.S.A.) and Konstantinos Lazarakis MW (The wines of Greece) live in the region they write about, while others have been visiting for many years and make multiple trips while writing their book. Some even move their entire life to another country just to bring you the best book on the subject. Here, you can read Matt Walls’ account of his two years in Provence writing Wines of the Rhône.

Our authors are chosen because they are acknowledged experts in the wine region they write about. They are in demand when it comes to wine tastings, with eight of them taking the role of Regional Chair at the Decanter World Wine Awards 2021 and series co-editor Sarah Jane Evans MW being one of the event’s co-chairs. As well as writing for the Classic Wine Library, our authors, many of whom are Masters of Wine, have written extensively on wine in other publications and are adept at sharing their wine expertise with the public. Listen to these recent interviews with Jessica Dupuy, author of Wines of the Southwest U.S.A. and series co-editor Richard Mayson, author of Port and the Douro and The wines of Portugal.

The wines of Germany (which also received a glowing review from the New York Times’ wine critic) and OIV Awards for The wines of Bulgaria and Luxury Wine Marketing. We currently have our fingers crossed for Lisa Granik MW’s The wines of Georgia, which has been shortlisted for this year’s André Simon Awards.

If you are aiming to expand your wine knowledge, head over to the Classic Wine Library shop and browse the entire series.

The changing face of the Rhône Valley

26 January 2021 by in Classic Wine Library, Wine and spirits

The Rhône is renowned for famous appellations such as Côte-Rôtie, Hermitage, Châteauneuf-du-Pape and Gigondas. But being well-known does not necessarily mean that the wines of the region are set in stone. Like any other region, the Rhône has had to develop to keep up with tastes in wine and innovations in winemaking, and these days climate change is forcing further evolution on the region’s winemakers, as a new book from The Classic Wine Library reveals.

Two years ago, when Rhône specialist Matt Walls first started writing Wines of the Rhône he hoped it would provide a welcome res­pite from the political upheavals around the world, particu­larly in his native Britain and in France. He soon discovered a world of constant change, requiring many alterations of his text over the course of its writing (including the addition of a new appellation just weeks before the book went to press).

The evidence for changing climate, which comes both from the accounts of growers and scientific observation, has seen wine producers change their approach both in vineyard and in cellar. With harvests getting earlier, this can lead to uneven ripeness and growers having to choose between unripe flavours and very high alcohol levels, so one key development has been a change in the varieties favoured in various parts of the region.

Market demands have altered, with more consumers seeking organic and natural wines, and some newer appellations, such as Cairanne, born in 2015, have baked restricted use of additions such as herbicides and sulphur into their specifications. But the climate here does not necessarily favour natural wines, or even organics, for while dry weather can mean a reduced need for chemicals in the vineyard, climate change also means inconsistent conditions, which have on occasion seen growers faced with a choice between spraying or a failed crop. Some winemakers find it hard to see a long future for the region, and while Walls praises the efforts of its producers to adapt, he criticizes what he sees as a lack of foresight in terms of addressing the climate change itself, e.g. through the use of green energy or more lightweight bottles and packaging.

Regardless of what the future may hold there is still much to enjoy, and Walls is a highly knowledgeable guide to the region, deftly detailing the terroir and the typical wine styles of each appellation, from the famous crus to hidden gems. Arguably, the best way to understand a region is through its producers and here Walls has enlisted the help of around 200, interviewing many, tasting their wines and presenting profiles detailing what to expect from the wines of each (including some tips on bargains to be had). There is something surprising and exciting here for everyone, from the Rhône newbie to the long-time fan.

About the author
Matt Walls is a freelance wine writer and consultant based in London and Avignon. He is a contributing editor at Decanter and writes regular articles for magazines and websites such as Foodism, Club Oenologique and timatkin.com. He won the Best Newcomer award at the 2013 Fortnum & Mason Food and Drink Awards for Drink Me!, his first book on wine, which has sold over 10,000 copies. He publishes a popular wine blog, www.mattwalls.co.uk, for which he won International Wine & Spirit Competition Blogger of the Year in 2015. When not writing, he advises restaurants on wine lists, hosts tastings, judges food and wine competitions and develops wine apps. Matt is interested in all areas of wine, but specializes in the Rhône. He is Regional Chair for the Rhône at the Decanter World Wine Awards.


Wines of the Rhônewas published by Infinite Ideas on 25 January 2021.
ISBN: 9781999619329, pb, rrp £30, 234 x 156mm, 390pp.
Also available as an eBook.
Review copies available from marketing@infideas.com; 07802 443957

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New book on Portuguese wines from the author of Port and the Douro

12 November 2020 by in Classic Wine Library, Wine and spirits

Portuguese wine and British drinkers have a relationship going back centuries. In the latter part of the twentieth century the picture of Portuguese wines held by most Brits was most likely a combination of quaffable pink wines, sunny reds drunk on holiday and Christmas Ports. But one Englishman was paying a bit more attention. Richard Mayson first visited the country as a child and was instantly enchanted by the place and its people, later developing a fascination with its wines. Having lived and worked there, including at one time owning and managing a vineyard in the Alentejo, he is ideally placed to introduce readers to the great variety of wines produced in Portugal.

In The wines of Portugal, Mayson demonstrates a clear love for both the wines and the country. After placing the wines in their historical context, the award-winning writer goes on to explore the grapes, of which Portugal has around 250 indigenous varieties, before explaining the demarcated wine regions. For a small country Portugal has a remarkable range of terroirs and wines. The book is divided along broad geographical lines into four main chapters: coastal Atlantic wines, wines from the mountains (largely in the north of the country), southern plains wines and wines from the islands of Madeira and the Azores. The wines range from the young, fresh, Atlantic-influenced Vinho Verde of the north-west to the “ripe and easygoing” reds of the Alentejo in the south, where the use of traditional talhas has been revived. But there are also the two famed fortified wines, Madeira and Port, and sweet wines such as those from Sétubal, which Mayson recommends as an ideal accompaniment to Christmas pudding. While the contribution of Mateus and Lancers to the revival of Portuguese wines should not be forgotten, there are now producers creating interesting, crafted rosés, and the recent fashion for sparkling wines has seen winemakers in all regions creating fizz worth celebrating.

Reading the story he tells here, wine lovers will find it diffi­cult to resist dreaming of wine holidays in spectacular Douro scenery or planning sunny coastal trips with a wine angle. Mayson is adept at explaining how grape variety, terroir, social changes, tastes in wine, vineyard management and cellar practices all interact to create the wines being produced today. Drawing these elements together in a compelling narrative he says, “Wine brings all these strands together: why is one wine different from another? The answer comes from the innumerable physical and human variables embodied in a deep sense of place. That, in short, is what makes wine so fascinating.” Readers who enjoyed Mayson’s two previous Classic Wine Library books, Port and the Douro and Madeira: The islands and their wines, should add this new book to their Christmas lists.

About the author
Richard Mayson entered the wine trade as a result of living and working in Portugal and spent five years working for the Wine Society before becoming a freelance writer. He is the author of six wine books. In 2014 Richard was the Louis Roederer International Wine Feature Writer of the Year and in 2015 Madeira: The islands and their wines was shortlisted for the André Simon Award. Richard has contributed to a number of publications, including the Oxford Companion to Wine, the Larousse Encyclopedia of Wine and the World Atlas of Wine. He writes regularly for Decanter and the World of Fine Wine and chairs the Port and Madeira panel for the Decanter World Wine Awards.


The wines of Portugal is published by Infinite Ideas on 12 November 2020.
ISBN: 9781999619305, pb, rrp £30, 234 x 156mm, 366pp.
Also available as an eBook.
Review copies available from marketing@infideas.com; 07802 443957

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Wine on the range: why Southwest wines should be on every wine adventurer’s list

21 September 2020 by in Classic Wine Library, Wine and spirits

Growing grapes in the arid plains of Texas, Arizona and New Mexico or in Colorado’s mountainous terrain has never been easy. Drought, disease and extreme weather events all present problems, but for the ambitious optimists who dare to pursue their winemaking dreams in America’s southwest perhaps the greatest challenge faced is convincing drinkers to try their wines. Despite advertising, the efforts of producer associations and highway directions to tasting rooms, many potential customers may not even be aware that wine is produced in their state. Now, a new book, The wines of Southwest U.S.A., by Texan wine expert Jessica Dupuy, aims to change perceptions and convince wine lovers that these states are producing wines every bit as good as those made by their friends on the west coast.

New book, just in

Hot off the press (ladybird sold separately)

Acknowledging the difficulty of her task Dupuy says, “taking on the project to share the story of wine in a quadrant of America that is most associated with cacti, cattle, and cowboys was a bit daunting.” Dupuy points out that the wine industries of these states are still emerging and working out their identities but she is not the only one persuaded of the potential for great wine in the Southwest. Many of the region’s growers and winemakers have gained experience working in more established regions, not only California but also Burgundy, Italy, New Zealand and more. They could easily have pursued their careers elsewhere but something drew them back to this part of the U.S.

Texas may have the most developed industry of the four, but those of New Mexico and Colorado are gathering pace and Arizona is generating excitement with the quality of its wines. Dupuy takes each state in turn, beginning with its history – the pioneering spirit that informed the development of these states perhaps goes some way to explaining the mindset of today’s winemakers. She then explores the unique growing conditions, the regions (AVAs) and the challenges peculiar to each. The chapters on each state’s wine producers cover around 10–15 per cent of today’s producers and feature those who helped to form its wine industry or who are actively pushing it forward. As Dupuy remarks, “this selection serves as a blueprint for the many great things that lie ahead.” The growth of the wine industry in the Southwest is reliant on people getting out and tasting the wines. To that end Dupuy concludes each section of the book with a listing of some of the places where visitors can best experience the legendary warm southern welcome and sample these wines alongside local food.

For anybody interested in discovering a truly up-and-coming wine region this book makes for fascinating reading.

About the author
Jessica Dupuy has written about Texas wine, particularly for Texas Monthly magazine, since 2007. She is a regular contributor as a wine and food columnist for Forbes.com and has also written for Imbibe, GuildSomm, SevenFifty Daily, Wine Enthusiast, Southern Living, and National Geographic Traveler. She is a Certified Sommelier through the Court of Master Sommeliers, a WSET Advanced Certificate holder and a Certified Specialist of Wine and Spirits through the Society of Wine Educators. Jessica has also covered food trends for various publications and is the author of several cookbooks, including Uchi: The Cookbook, The Salt Lick Cookbook: A Story of Land, Family and Love and Jack Allen’s Kitchen Cookbook.


The wines of Southwest U.S.A. is published by Infinite Ideas on 24 September 2020.
ISBN: 9781913022112, pb, rrp £30, 234 x 156mm, 268pp.
Also available as an eBook.
Review copies available from marketing@infideas.com; 07802 443957

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Climbing the peaks of South Africa’s new wine scene

2 July 2020 by in Classic Wine Library, Wine and spirits

Fifteen years ago, when Jim Clarke first visited South Africa, he discovered a country of contrasts. Although the era of apartheid was over, the country was still suffering from its legacy, with a huge gap to be bridged between rich white and poor black South Africans. The contrast in the wines was no less stark – while there were glimpses of the quality that could be achieved many of the country’s wines were at best cheap and cheerful.

Much has changed in both society and the wine industry over the intervening years, as a new book, The wines of South Africa, by Jim Clarke, explains. Where he saw potential fifteen years ago Clarke now regularly encounters truly expressive, quality wines, noting that the quality level in all wines has been raised, and clumsy wines are now a rarity. He says, “Today one can taste through the wines of South Africa and experience the expansive range of expression the Cape’s many terroirs are capable of … the industry is at a point where its right to a seat at the table is undisputed by anyone who has taken the time to taste. South Africa is making great wines.”

Of course, one cannot discuss the wines of a country with a political legacy like South Africa’s without placing those wines in their social context. As a chapter on the country’s history shows, the racist attitudes that led to apartheid, and which still cause inequality, were baked into the republic from its foundation as a European colony. Clarke devotes an entire chapter to the country’s recent transformation, explaining the efforts made by the wine industry to create better conditions for the largely non-white agricultural workforce and encourage more black people to choose wine as a career.

The scenery of the Western Cape is stunningly beautiful and the unique geography, geology and climate conditions here contribute greatly to the wines these days. While in the past, in pursuit of wines appealing to international markets, South Africa’s winemakers aimed to manipulate and obscure the natural expression of the wines, today’s craftsmen and women allow the terroir to come to the fore. By discussing the signature grape varieties and their expression in each region, Clarke says he aims to guide readers towards those wines that suit their tastes.

The book does not attempt to include more than a sample of South Africa’s producers. The profiles here provide a cross-section that demonstrates the range of different approaches and styles on offer, from large, well-established businesses through to smaller or younger producers, and show what is most interesting or representative within each region.

Overall, The wines of South Africa is a must for all those interested in tracing the rebirth of South African wine.

About the author
Jim Clarke became interested in wine after moving to New York City in 2001 and taking a job waiting tables, training as a sommelier on the job and through classes with the American Sommelier Association. A writing competition led to an introduction to South African wine and the start of Jim’s journalistic career. He has written for the New York Times, San Francisco Chronicle, World of Fine Wine, Beverage Media, and Fortune, among others. In 2013 Jim took a position as Wines of South Africa’s U.S. marketing manager. He remains active as a freelance writer, covering wine, sake, and related subjects. He speaks regularly at a number of wine events and judges in several international wine competitions.


The wines of South Africa is published by Infinite Ideas on 20 July 2020.
ISBN: 9781913022020, pb, rrp £30, 234 x 156mm, 324pp.
Also available as an eBook.
Review copies available from marketing@infideas.com; 07802 443957

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